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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    Foris Blaž Lukan Delo In the first part of Project 2 part of which is also Apricot Leaves the dance performance by Ildiko Foris Stalks of Time etude of motion might seem more efficient in forming a relationship between the

    Original URL path: http://www.muzeum.si/press/project2stalks.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    the show The latter is primarily constructed as a system as a network of theoretical signs in which the dramatic persons exsist only if in accordance with the logic of the sur defining structure they find themselves in an interrelationship Apricot leaves is a performance which despite the radical openness of its form is convincing particularly in the fact that horizontally itis constantly on the borderline between the desire and the instinct between comfort and pleasure between the baroque and the Realist The thing that remains in between and is the only thing that belongs to the spectator is love Time is men s mercilees ruler Ana Perne Radio Student As an introduction to later events two men and two women are entangled in amorous nets they demonstrate to us unstoppable and uncontrollable passion and basic instinct The possesion of bodies is lustful forceful with its presence it creates an immeasurable stage beauty Although in cliche white inquisitive innocence floats to the surface as if coming from the depth of the unconscious Although the costumes later in the play assume more everyday colours white still remains as a sign of a accumultating it is present in the multi purpuse shirts Naturally colours are not the only sudden change There is thorough change also in the action In an instant we face commonplace activities and customs washing tidyng up eating As if the room did not allow the inclusion of non permitted desires and permitted only that which was acceptable to the public eye It is only a question of how long such undercover yearnings can remain trapped in this prescribed moral ethical framework Slobodna Dalmacija Jasen Boko Several independent small groups appeared in Mongolia but the most interesting project presented at the festival was from our neighbour Slovenia Apricot Leaves

    Original URL path: http://www.muzeum.si/press/project2apricot.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    following the principle of associations of threading of coincidences layers impressions memories and traces It opens the unpredictability of the co existence it reminds us of the overcrowded city where human live next to one another In this overcrowded and unstable space the existence develops as a line of traces of memories without hierarchy of images without sequence and their flow actuates emotions a dialog and a touch The curtain opens the surface of the most hidden thoughts and images imagination and imaginary forms profound pain and oppressed memory the hidden flow of primal thoughts and emotions where there is no order and no anarchy a passage from the theatre program Refined Kind a little cold elegant But meanwhile not only Bachman s trickling thought approached furtively between the curtains but deeply engaged less concrete thought as well floating above us and it multiplied through just a moment ago still TV sale curtains The video schizophrenia as an image of the present world images But it is not only trendy meaning that everything today is multimedia And vice versa No What is being actuated then when in different corners of the world in a dewy morning and a cold wind

    Original URL path: http://www.muzeum.si/press/project3complete.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    diva in white in a white room and white tennis shoes in a white refrigerator with a whiteness of memories all around That is exactly what she was A diva With a posture and full of life no pathos and with memories of a diva A white look into the past an intersection of what she is to the admirers and of what is hidden behind diva s white gate

    Original URL path: http://www.muzeum.si/press/project3interiors.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    and attempt to hold that position Yet since body is not made of stone no matter how sculpted it seems it gradually breaks into sweat and wears down The sounds it emits the clear traces of effort reverse the usual sculpting perspective the body which was supposed to serve as a sculptor s model does not turn the sculpture into a mere replica of itself but into an original in

    Original URL path: http://www.muzeum.si/press/rodin1.htm (2016-02-18)
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  • MUZEUM, Institute of Art Production, Mediation and Publishing
    dialogue among various stage presences On stage appear dancers actresses and younger individuals with mental retardation Rodin II thus functions as a performance in the field of special pedagogics although that is not the binding code of the performance It is a performance as a polygon of potential Happening direction procedures of Jovanovič Hrvatin Buljan Jablanovec Horvat etc MASKA Performing Arts Journal Spring 2007 volume XXII no 105 106 From Poetics to the Politics of Body Images in the Theatre Rodin II Mojca Puncer The special quality of Rodin II is its precise dramaturgy which manages to establish a stunning aesthetical organism through the juxtaposition of the movement of dancers and the developmentally disturbed and through their stage communication Namely the performance is placed into minimalistically furnished staging space of the Old Power Station where in particular scenes the performers come to a standstill in a baroque chiaroscuro lighted tableau which is again and again brought to life and taken apart while the movement dynamics of the performers is additionally stirred by a precisely placed authorial music material On the other hand we can understand the performance as an attempt to realize the Badiouian 18 event through the singular aesthetic process It iis a matter of a special paradigmatic break taking place as a Thought intervention into the modes of representation through the disclosure of the theatre event form and the visibility of the act and also by the defetishization processuality and deobjectification of an art product which is especially visible in the transitions to the visual field of art 19 Such eventness aims at a specific poetic articulation of artistic truth but also ethical duty education and the opening of the subject to the Otherness leading to compassion and confidence in the bearers of the alternative or minority marginal

    Original URL path: http://www.muzeum.si/press/rodin2.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    of them the mentioned fact has been a great challenge and they have focusing on each move performed it with greatest consistency from the very beginning to end Besides identity as the main theme of the performance Gramatika is special because of its original approach in presenting duality present in theatre at all times Through the performing arts we clearly see the performer and his her role According to this Gramatika follows the reflections from the Dictionary of theTheatre by Patrice Pavis Between sameness and unrealizable difference the performer is like theatre in constant search for his her counterpart 26 October 2006 Jelena Mihelčič What happens when two different bodies are joint into one How do we regard to such a body These are only a few of many questions being provoked and answered by body dance and physical performance in the performance Gramatika produced by Trafik transit fictitious theatre and its authoress Magdalena Lupi And again the performance is iniciated by well known personalities from Rijeka Irma and Emma Gramatica actresses from the beginning of the 20th century The main intention is not to take interest in their lives then but to show their relation as twins although actually

    Original URL path: http://www.muzeum.si/press/gramatika.htm (2016-02-18)
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  • MUZEUM, Institute for Art Production, Distribution and Publishing
    associative impulse and an interpretative area enabling virtually everything provided of course that it is put out of the stylistically historical framework and understood as a distinctly contemporary provocation We are thus faced with a relaxed almost improvised dance and a simulation and simultaneously a transgression of the Moliere type style an invention of drama theatre in a Moliere manner a production of discernable tableaux which are again by means of an at times incontrollable feminine energy being translated into a new as of yet raw context which to be completely accurate is reliably guarded against destruction falling over the edge or a breakdown exclusively by a certain not quite rational will Therefore it is interesting that as the latter initiated the decision for separation from the Moliere like canon as such it is now through its performance by the will of the female actors accomplishing the performance separated from its new succession pattern as well namely from editing in comparing the titles of individual scenes in the theatre brochure with the realised material it is obvious that the realisation went further that it gained autonomy and produced a new entirely fresh liberated radical but at the same time original Moliere who cannot possibly remain overlooked Večer Slovene daily 26 9 2006 Rok Vevar A collage of comical situations from rehearsals and from the life that the actors and dancers have shared with each other of financial and creative quandaries they could as well be called symptoms symptoms of artistic creation within a certain culturally political and ideological context represents a turning point in the opus of Barbara Novakovič entering a distinctly comical element into her delicate weaving of the stage atmosphere and thus reminding us essentially of the fact that our contemporary theatre lacks excessive humour a humour that

    Original URL path: http://www.muzeum.si/press/moliere.htm (2016-02-18)
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